* All images used with permission. Please do not distribute without first contacting the artist.
With the ambition to become an artist, Scott studied at Duncan of Jordanstone College of Art, Dundee. In June 2000 he left with a BDes in Illustration and printmaking. Since graduating Scott has been a full time artist, working from his studio in Glasgow. Much of his time is spent travelling around the country looking for inspiration for another take on the Scottish landscape. The many lochs, glens and isles of the West coast are amongst his favourite subject matter for his vibrant and atmospheric oils. Since 2003 Scott has also been a part time lecturer at the Creative Arts Department of Reid Kerr College, Paisley.
Scott uses vivid colours in a vigorous application to represent the fast changing light conditions of the West coast of Scotland. Colour use often becomes an entirely emotional response to the subject while tone can remain representational. The love he has for his native Scottish countryside is portayed in his work through an ebullient energy with which he handles the colour with pallette knife and brush.
Scot describes his work by saying, “After 10 years of painting the Scottish landscape, my recent work now becomes more involved with cloudcover and its effect on light and colour through both its translucent and opaque properties. Clouds are visible masses of water droplets or frozen ice crystals suspended in the atmosphere . They have the ability to refract and reflect, creating an ever changing perception of light which inspires my use of colour. I am constantly refering to the paradox of a cloud’s peceived weight and its fragility and the relationship between the cool and warm colours created by it. I have become increasingly interested in catching the moment when heavy overcast clears to reveal clear blue sky, a cool colour that complements the warmth it brings. While the most obvious manifestation of light refraction at this time would occur in the form of a rainbow, I will be concerned with accentuating the infinite, more subtle effects.”