My work moral is either to build something sculptural or visually enforcing and photographing it, or technically building an image that no longer adheres to a single moment photograph. The themes I work with are of unsettling human experiences, in many ways I distort what I view as “the truth” or “the things of importance” by bringing them to the fore-front. This is a way for me to understand how I experience human contact and how it often mars my sentiment. I deal with humanity in pieces and a sense of motion, transferring decisive moments onto a singular piece, I call these “ensembles” which are designed to enforce the human experience as moving, multidimensional, and one of multiple answers.