My paintings address the art-historical notion of “”the gaze”” and its relationship to the contemporary world of mass media. I begin with a process of photo-documenting my subjects within their domestic environment, or appropriating exhibitionist imagery from the Internet and cinema, placing myself as the voyeur and exploring the power dynamics inherent in the act. By emulating the optical and formal qualities of digital and analog photography, such as distortions and abstractions produced by the mechanical lens, I am interested in producing an ambiguity in narrative and the relationship between viewer and subject.