* All images used with permission. Please do not distribute without first contacting the artist.
After studying at Middle Tennessee State University, White went to New York City and worked as a cartoonist and illustrator for a number of publications including The East Village Eye, Raw, The New York Times, and The Village Voice.
In 1986 he worked on Pee Wee’s Playhouse where his work for his set and puppet designs won three Emmy awards; he also supplied a number of voices on the show. Other television credits include production and set design for Riders in the Sky, The Weird Al Show and Beakman’s World. He art directed two seminal music videos, Peter Gabriel’s “Big Time” in 1986, for which he won a Billboard award for best Art Direction in a music video, and in 1996 he designed all the Georges MÃ©liÃ¨s inspired sets for the award-winning video for the Smashing Pumpkins, “Tonight, Tonight”.
More recently he has concentrated on his painting career. He takes cheap, mass-produced lithographs which he finds in secondhand thrift stores and painstakingly writes phrases or words on them in a glossy, 3-D style. His works have been compared to Ed Ruscha.
"Aside from the fact that Wayne helped to create Pee Wee's Playhouse, and I love that about him, I really admire how much fun he seems to be having with his work. Artist get caught up in being serious about their work and I find it really refreshing to see people like Wayne creating things that are beautiful, interesting and fun at the same time."
"How can you not love the work of Wayne White? He has been a huge inspiration to me as a curator. Wayne’s work emphasizes that there is room for humor in the art world and his large-scale installations are always incredibly imaginative. He truly knows how to activate a gallery space and make it enchanting."
"Wayne White is hands down one of my all-time favorite artists – he was in essence, the artist of my youth. Because his subversive style had such a major impact on me so early on, it deeply impacted the development of my preferred art style as an adult, which leans heavily toward the surreal. Whether or not you’re familiar with his work at first glance, I’d venture to guess that his art is stored somewhere deep in your memory bank. For more, see the new documentary Beauty is Embarrassing."