I primarily work with pen and marker on paper, composing narratives using faceless, childlike figures performing gestures that refer to religious practice and and moral dilemmas. I choose to model my drawings off illustration of children’s stories and fairy tales but add surreal elements to the landscape as well as layers of colour and abstract shape to add a sense of movement or ‘spirit” outside the performed act. The childlike figures, although not necessarily children, serve to illustrate both vulnerability and innocence and to give a light-hearted approach to actions that may otherwise be interpreted as somber or severe.